[1-4]⁴; [1]1 and [4]4 are pastedowns.

[8] 5-24 [+4].

Foolscap 8^o: 7½" × 4⅞", trimmed, white laid, Antique de Luxe; 14(+3)pt. Lutetia; casing, patterned paper Kzb no.8; no copy traced in publisher's casing (full cloth) as issued.

See Simon 1973 p.252: Catalogue raisonné mentions an edition in full cloth, 'also 150 copies on hand-made paper, bound in full leather'.

B.L. Catalogue suggests that Orage (d.1934) was actually the author of this work. The Unicorn Press is a publisher not otherwise known to me for this date, and I suggest the book was in fact privately printed for Orage; the type of paper and the presence of the author's signature seem to distinguish between the versions.

• Lutetia
  • 1928, designed by Jan van Krimpen; Lutetia was the Latin name for Paris;
  • see Simon (1973) p.194, Balston(1951) p.28.
• Lutetia, 14pt.
• Orage, A. R. (Alfred Richard), 1873–1934 ODNB

As Ol.

As Ol but: 7¾" × 5", top edge only trimmed and gilt, white wove, no mark; 14(+3)pt. Lutetia; sewn on 2 cords, full binding, murry morocco, gold-blocked up spine: ‘ON LOVE’, and on upper cover: ‘ON LOVE | A. R. ORAGE’.

B.L. Catalogue suggests that Orage (d.1934) was actually the author of this work; no copy in publisher's casing found in U.L.L. or B.L; The Unicorn Press is a publisher not otherwise known to me for this date, and I suggest the book was in fact privately printed for Orage.

• Lutetia
  • 1928, designed by Jan van Krimpen; Lutetia was the Latin name for Paris;
  • see Simon (1973) p.194, Balston(1951) p.28.
• Lutetia, 14pt.
• Orage, A. R. (Alfred Richard), 1873–1934 ODNB