| British Library: | C.98.gg.24 |
| Curwen Press: | M4 |
| British Library: | C.98.gg.24 |
| Curwen Press: | M4 |
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URNE BURIALL AND THE GARDEN OF CYRUS BY SIR THOMAS BROWNE WITH THIRTY DRAWINGS BY PAUL NASH EDITED WITH AN INTRODUCTION BY JOHN CARTER PUBLISHED BY CASSELL AND CO. LTD LA BELLE SAUVAGE LONDON MCMXXXII
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215 copies of this book have been printed on J. Barcham Green's hand-made paper. This copy is number [space for serial number]
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[Publisher's note] ... ..the stencilling of the colours under the supervision of Harold Curwen. The collotypes, which form the basis of the illustrations, were printed by Charles Whittingham and Griggs. The binding is by Nevetts Ltd.
[A]10 [B]8 C-I8 K10; inserts before B4, C2 C6, D1 D4 D6 E2 E7 after E8, before F4 G1 H1 H7 I3.
[i-xv] xvi-xx [1-3] 4-5 [6-7] 8-14 [15] 16-23 [24] 25-36 [37] 38-44 [45] 46-53 [54-7] 58-9 [60-1] 62-9 [70] 71-8 [79] 80-99 [100] 101-14 [115] 116-22 [123-5] 126 [127] 128-37 [138-41] 142-6 [+2].
Royal 4o: 12" × 8¾", trimmed and gilt all edges. white wove, Curwen Press + unicorn; 18pt. Bembo; some large headings are set in Bruce Rogers's Centaur; all inserts and many text pages have collotypes with hand-coloured stencilling; binding in vellum, spine gold-blocked: ‘URNE BURIALL & THE GARDEN OF CYRUS [fillet] SIR THOMAS BROWNE [fillet] CASSELL’, upper and lower covers decorated with brown leather inlay and gold blocking; on upper cover at top right is a panel 9½" × 6¼" in brown leather, with a rhomboid geometrical pattern in gold including the outline of an urn 2 portions of which are in vellum; the same design is blocked on the vellum of the lower cover, but there the corresponding portions are in brown leather.
See Balston (1951) p.32 'specially attractive features: title-page, half-titles and some large headings ... set in Bruce Rogers' Centaur'; for stencil method see Simon (1956) p.86 note, and Simon (1973) p.211-217, also p.253 reprinting Catalogue raisonné 1928-32, describes this edition: vellum back, leather sides, 215 copies, £15 15s.
Herbert Simon (Simon 1973 pp.209-210) has kept for us a long direct quotation from Desmond Flower recounting the impact on him of this project.
Nash began the illustrations for Urne Buriall in the spring of 1931 ... He undertook to make 50 finished drawings, although in fact only 32 were made. The binding also was designed by him; Herbert Read in 1952 described the book as 'one of the loveliest achievements of contemporary English art'; see Simpson (2010) pp.10-12.
B.L. copy numbered 211; Scottish Nat. Gallery of Modern Art, Edinburgh, copy numbered 183.
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Robin Phillips, 1963, revised 15/Dec/2018